This ties in neatly with C12’s new Audio to MIDI function that can analyse any selected audio and turn it into Chord Events on the Chord Track. This makes musically appropriate edits easier (including pitch quantisation) and transposing audio to create harmony parts much quicker. Scale Assistant (introduced in C11 and previously available within the MIDI-based Key Editor) allows you to make changes that fit within the select key or scale. VariAudio, the pitch editing and correction engine in Cubase, had some great technical improvements in Cubase 10, and while C12 doesn’t expand on these, it adds Scale Assistant integration.
#ABLETON LIVE 11 VS STEINBERG CUBASE ELEMENTS 8 MANUAL#
Besides manual and hitpoint-based editing (and even quantisation), there are also many other creative uses of these features, and they get a big thumbs-up. There will obviously still be potential audio artefacts caused by the stretching process – though with small changes these are minimal – and slicing drums the conventional way still has its place, but this is a great option to have available. One important aspect of this is the addition of a Phase-Coherent AudioWarp button which allows you to avoid problems associated with warping a single performance recording captured with multiple microphones (such as a full drum kit). You’ll have to commit to their subscription model, which not everyone is a fan of.Ībleton Live has traditionally lacked a few features geared toward recording-heavy projects, but what it does, it does very well.
They’ve been battling it out for years!Īn industry standard, particularly for larger studios. If you already have the dongle (and a Mac), then Logic is an obvious alternative to Cubase.
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